In a fresh piece for Tarantino’s Reviews, the filmmaker writes about three nostalgia-oriented memory pieces released in the early ’70s, covering Peter Bogdanovich’s The Last Picture Show, Robert Mulligan’s Summer of ‘42, and the nostalgia piece that would define the decade, George Lucas’ American Graffiti. Read the whole post here and then see a vibrant I.B. Technicolor 35mm print of American Graffiti at the New Beverly July 5th, 6th and 7th on a double feature with Richard Linklater’s Dazed and Confused.
