Grindhouse

They Call Her Death (Los Angeles 35mm Premiere)

Los Angeles premiere!

On the wild frontier of the American prairie, Molly Pray is on a bloody crusade against the criminal forces that have wronged her. She shows no mercy, leaving a trail of bodies in her wake on a mission that ultimately strikes at the heart of the American identity and the notion of manifest destiny. But for Molly Pray – who has the embodied specter of death on her side – this isn’t political. This is personal.

They Call Her Death is the second feature film from Kansas filmmaker Austin Snell (Exposure, 2018). Filmed entirely on 16mm film using cameras from the 1960’s, They Call Her Death strives to capture the essence of low budget Euro-Westerns and Euro-Horror of the same era with an emphasis on practical, old-school techniques. Whether it’s the choice to utilize actual film, practical gore effects (by Jake Jackson), or even building sets in the filmmaker’s garage, They Call Her Death is almost defiantly committed to tangibility in a medium that is increasingly less so. It is a violent and pulpy romp that would have fit right in with programming of the legendary grindhouse theaters on New York’s 42nd Street. (Sunrunner Films)

Cut-Throats Nine

Violence is a way of life as a father & daughter lead a wagonload of Civil War criminals towards justice across a snowy wilderness in the ultra-gory Spanish Western Cut–Throats Nine! But as the weather worsens and dreams of gold begin to spread, the vicious group begins to play a deadly game of cat-and-mouse with their captors.